Some days ago, after attending the opening party for the Missing/Missed show, curated by Scott Henstrand my friend and art blogger Lauren Palmor told me about Ghada Amer work. Sara Jone’s work, on view in the exhibition, was the reason that made Lauren think about Amer. And you’ll understand why.

Sara Jones, You Are Now a Strange Here, acrylic and thread on canvas, 2010

(photo courtesty of Sara Jones)

Lauren told me that I really needed to check her work and the video of the talk she gave at ArtTalks, organized by the American Federation of Arts. “You have to see it”, and when Lauren says this she means. And now I want all you to see it too.

Ghada Amer is an american contemporary artist,  born in Egypt,  educated in France and now lives and works in New York City. Her most recognized and characteristic work are her abstract painted and embroidered canvases, often with erotic motifs. However, Ghada Amer is a very versatile multimedia artist and has worked also with sculpture, photography, video, installation and performance.

Ghada Amer (American, born Egypt, 1963). Red Diagonales, 2000. Acrylic, embroidery, and gel medium on canvas. © Ghada Amer, Courtesy Gagosian Gallery. Private collection

Ghada Amer, The Woman who failed to be Shehrazade, 2008. Acrylic, embroidery and gel medium on canvas.

(photo courtesy of Cheim & Read Gallery)

She has been specially interested in exploring and addressing themes like the “submission of women to the tyranny of domestic life, the celebration of female sexuality and pleasure, the incomprehensibility of love, the foolishness of war and violence, and an overall quest for formal beauty”. (in Brooklyn Museum website) Other themes included the ” Western (mis)perceptions of Middle Eastern culture”, world politics and, recently, she has been working on antiwar pieces. (ArtTalks PR and Brooklyn Museum)

Ghada Amer,  Barbie Loves Ken, Ken Loves Barbie, 1995/2002. Embroidery on cotton. Collection of the artist, courtesy of Gagosian Gallery

In 1991, Amer decided to replace the pencil/brush by the embroidery needle, so she could talk about women and women contemporary issues and problems, through a medium that have always been associated with women’s craft.

“I was always attracted to deal with the subject but I never dared, really, to do it (..) Then I had to, in a way, because I was looking for a way to paint with embroidery. I was depicting women doing domestic activities and the embroidery itself was a domestic activity. I needed to find imagery that would really challenge the embroidery as a medium and contradict it.”

(in TheDailyBeast)

On her talk at ArtTalks, Ghada Amer talks more about her choice for embroidery and her work (start at minute 13, to jump to the embroidery section).

Ghada Amer’s  work has been shown in the USA and internationally in several museums and galleries, including the Whitney Biennal, PS 1 Contemporary Art Center, Brooklyn Museum of Art and Tel-Aviv Art Museum. She is currently represented by the Cheim & Read Gallery in New York.

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