Archives for posts with tag: indigo

We’re starting our Spring Classes series next Tuesday and I couldn’t be more excited. Amongst the wide range of classes that we’re offering, I want to tell you today about the Shibori class.

Shibori, now a universal term, is the Japanese word for manipulating fabric before dyeing (the word is derived from the Japanese root verb shiboru, which means to “wring, squeeze, press”) (…) in Shibori for Textile Artists, by Janice Gunner

(photo courtesy of HonestlyWTF)

The Shibori technique dates back to between 6th and 8th century in Japan (the earliest known example of shibori dyed cloth dates back to the 8th century). Indigo was the main dye used, to pattern hemp, cotton and silk.

(photo courtesy of HonestlyWTF)

There are several folding, binding, twisting, stitching techniques that have been used and all have specific names. Like Kanobo shibori, for the typical  tie-dye, Arashi (Japanese for “storm”) shibori, a pole-wrapping technique, Kumo shibori, pleat and bond resist technique, and Itajime shibori, a shape-resist technique where the cloth is folded like an accordion and sandwiched between two pieces of wood.

Shibori Master Motohiko Katano (1889-1975) (top) and Shibori dyed cloth (bottom)

(photos courtesy of shiboriorg.wordpress.com)

There are still a few spots available for the Shibori class starting on January 8th, so don’t miss this opportunity to come to TAC to learn the secrets of this ancient dye technique. And as inspiration for the products and fabrics that you can create, I leave you with some gorgeous fashion creations..

Suno Shibori Tie Dye Scarf Jacket, Spring/Summer 2010

(via CoolSpotters)

Shibori dyed top, by Brooklyn based Upstate, Spring/Summer 2011

Shibori dyed scarf, by Brooklyn based Upstate, Spring/Summer 2011

(via HonestlyWTF)

We hope you got to check out the Cutting Edge: Celebrating Fiber show that recently came down.  It really was a stunning show, that drew in wanderers off the street with the massive and delicate textile installations visible from the street. Textile installation artists are vital to textile’s “Fine Art” status.  For the Textile Arts Center, we are dedicated to this stance on textile arts and it will open the doors for textile artists to become internationally recognized just like Picasso and Monet.

Rowland Ricketts is interested in the science of color and how it affects our sensations when we view art.  Contemporary science tells us that color is a sensation experienced because of the differing wavelengths of light waves. To Rowland this is only part of the story. As an artist, her sensation of color is also informed by that color’s material substance and the process that gives color form for her to reflect upon.

“This takes the form of both functional textiles and textiles intended solely as artwork. I see the two practices as symbiotic equals. My artwork challenges me to better define for myself the substantive meaning of the plants and processes I use. My functional work allows me to apply this vision of color in the context of a socially and environmentally responsible design practice. Still, in both my functional textiles and artwork, my intention is the same: Through simple forms and a straight-forward presentation I strive to present the viewer with a color so rich that they see beyond the dyed material to examine all that lies within a color’s substance.” — Rowland’s Statement

My other favorite textile installation artist is Eva Schjolberg.  She has a background in textile projects with regard to space, body and clothing. In recent years she has moved in the direction of textile sculptures and installations. In this exhibition, she shows three-dimensional columns of folded fabric. The starting point for geometry shapes are based on squares. Work The basic structure consists of strips of textile ribbons that are folded in a zigzag pattern. In the distance, the precise fold the edges smoothed out and seemingly melt together into a rhythmic spiral pattern around an axis. The installation items will be experienced as parts of circles.

You probably can tell by now that I favor minimalist installations.  If you have any other textile installations you favor please email me at blog@textileartscenter.com.  I want to encompass the entire range of textile arts.

If you’ve got installation art you want to share, consider submitting to our Call for Entries for our Jan/Feb Gallery show: Missing/Missed, curated by Scott Henstrand.